Showing posts with label James Gurney. Show all posts
Showing posts with label James Gurney. Show all posts

Monday, December 13, 2010

Everyone Is Talking About It

A new art book was recently released and everyone is talking/blogging about it.

James Gurney, New York Times best-selling author and artist of the Dinotopia series, follows Imaginative Realism with his second art-instruction book,

Color and Light: A Guide for the Realist Painter.



This book is a comprehensive art instruction book about all the important aspects color and light for students of art and those wishing to improve the quality of their painting in any media.

I understand that it is a very accessible art instruction book, and it articulates very clearly how you can make choices about how to use different features of color and light in a painting.

In addition, I hear that the images and graphics are outstanding.

It is time for me to head to my local Barnes and Noble book store and see for myself.

Tuesday, December 29, 2009

Interesting New Art Book



Two months after publication,
James Gurney's book is

#1 on Amazon for books about Realism and Neo-Classical Painting and

#2 in books about Painting






Imaginative Realism: How to Paint What Doesn't Exist

Synopsis: This book has been described as the ultimate reference for fans of science fiction and fantasy illustration. Imaginative Realism links traditional techniques with contemporary visualisation.

Award-winning fantasy artist and the creator of Dinotopia, James Gurney systematically examines and details practical methods for creating believable pictures of imaginary subjects.

This is NOT a book about the use of digital tools. Instead the focus is on the use of plein-air studies, models photographed in costume, maquettes, models and tableaus.

He also demonstrates the use of thumbnail sketches, storyboards, charcoal comprehensive drawings, tone paper studies and a variety of approaches and techniques relevant to composition.

The bias is towards Gurney's normal fantasy art subject matter but the principles are applicable to all painters who create works which involve some element of imagined realism.