Monet in New York

If you are not able to travel to Giverny, France to experience the world famous gardens of Claude Monet, you can visit New York. In the Bronx over the next several months, the New York Botanical Garden will offer a taste of Monet’s indisputably radiant living masterpiece — a riotous display of color, plant variety and landscape design.



The exhibition, which runs through Oct. 21, will feature a seasonally changing display of flora, currently a spring kaleidoscope of poppies, roses, foxgloves, irises and delphiniums inside the botanical garden’s Enid A. Haupt Conservancy. It also includes two scarcely seen garden-inspired paintings, Monet’s wooden palette, rare photos of Monet in his garden and 30 photographs of Giverny by Elizabeth Murray, who has recorded Monet’s flower oasis for 25 years. These are all located at the botanical garden’s LuEsther T. Mertz Library.

A facade of Monet’s pink stucco house with its bright green shutters — a historically accurate replica by Tony Award-winning set designer Scott Park — marks the start of the exhibition. From there, visitors are led down the Grand Allee, a shorter recreation of Monet’s rose-covered trellis pathway lined on both sides with thick beds of vibrant flowers. The path opens up to a replica of his famous Japanese footbridge arching over a water lily pool encircled by willow trees and flowering shrubs.

In the courtyard outside the Victorian greenhouse, two immense water basins contain a plethora of water lilies.

Claude Monet, artist and avid gardener, lead the Impressionist movement and revolutionized painting in the 1870s.

The story is that Claude Monet noticed the village of Giverny while looking out of a train window. He made up his mind to move there and rented a house and the area surrounding it. In 1890 he had enough money to buy the house and land outright and set out to create the magnificent gardens he wanted to paint.

Talk about the power of imagination!

Monet's Gardens in Giverny

Have you been captivated by Monet's paintings of water lilies as I have? Someday I will visit his gardens in Giverny, France.

There are two parts in Monet's garden: a flower garden called Clos Normand in front of the house and a Japanese inspired water garden on the other side of the road. The two parts of Monet's garden contrast and complement one another.

The Clos Normand

The land is divided into flowerbeds where flower clumps of different heights create volume. Fruit trees or ornamental trees dominate the climbing roses, the long -stemmed hollyhocks and the coloured banks of annuals. Monet mixed the simplest flowers (daisies and poppies) with the most rare varieties.

The central alley is covered over by iron arches on which climbing roses grow. Other rose trees cover the balustrade along the house. At the end of the summer nasturtiums invade the soil in the central alley.

Claude Monet did not like organized nor constrained gardens. He married flowers according to their colours and left them to grow rather freely.

With the passing years he developed a passion for botany, exchanging plants with his friends Clemenceau and Caillebotte. Always on the look-out for rare varieties, he bought young plants at great expense. "All my money goes into my garden," he said. But also: "I am in raptures."

The Water Garden

The water garden is full of asymmetries and curves. It is inspired by the Japanese gardens that Monet knew from the prints he collected avidly.

In this water garden you will find the famous Japanese bridge covered with wisterias, other smaller bridges, weeping willows, a bamboo wood and above all the famous nympheas which bloom all summer long. The pond and the surrounding vegetation form an enclosure separated from the surrounding countryside.

Never before had a painter so shaped his subjects in nature before painting them. And so he created his works twice. Monet would find his inspiration in this water garden for more than twenty years. After the Japanese bridge series, he would devote himself to the giant decorations of the Orangerie.

Always looking for mist and transparencies, Monet would dedicate himself less to flowers than to reflections in water, a kind of inverted world transfigured by the liquid element.



Nympheas
Claude Monet

In Katherine Tyrrell's blog you can watch a slide show from the photos she took on her recent visit to the gardens.