Sponge Painting

One of my art therapy clients liked the effects of sponge painting. Upon her closure with therapy she gifted me with a couple of sponges.

When I was in Greece, I fell in love with the olive tree. After a few attempts painting them in watercolors, I have been disappointed with my ability to capture the silvery shimmer of the leaves in the sunlight. I have been enjoying painting the shapes and forms of the bark of the olive tree, but the leaves have escaped me.

Glancing at a photograph of a grove of olive trees, I realized that the leaves in the distance looked like the texture of a sponge.

With wild abandonment, I began to sponge paint.

I remembered the enjoyment and freedom that I observed watching my art therapy client sponge paint. I, too, was playing as I built up the layers of color and watched the sponge texture. What FUN!

I have been staring at this painting for a few days and decided that after all my fun, I had over worked the sponge painting process. Although it had wonderful texture, it was too dark. I thought about using pastels over it as some artists do, but I did not want to lose the watercolor effect. Looking though my supplies, I found some acrylic paint that I had won at an art demonstration. Hmmmmmm......

As I lighten the leaves of the olive tree, I still desired that lovely sliver-blue sparkle. To my delight, I found a metallic white which I mixed with greens.

Painting done!

Sunlight Dancing in the Olive Grove

mixed-media

Elizabeth Layton

Elizabeth "Grandma" Layton at age 68 was talked into taking an art class by her sister. From that day on her life changed; the true power of art therapy.

She was fighting a 35 year depression, and by taking that art class she cured her depression and changed not only her life but the lives of many. In the art class, Elizabeth learned contour drawing which she developed into her unique form of artistic expression.

In contour drawing the student, fixing their eyes on the outline of the model or object, draws the contour very slowly in a steady, continuous line without lifting the pencil or looking at the paper. The student may look at the paper to place an internal feature, but once they begin to draw it, they do not glance down, but follow the same procedure as for the outline.

It is said that what distinguishes Elizabeth Layton's drawings from others is their breadth, their freshness, and their expression of hope. Few artist have depicted such far reaching social concerns such as capital punishment, homelessness, hunger, racial prejudice, AIDS, aging and the right to die.

The Magic Gate,
Elizabeth Layton
1987
“She is almost through the magic gate to the cosmos. The gate opening up broke a thorny branch off the rosebush - the sting of dying. Behind her are ties to the earth - loved ones, wonderful worldly things, good and bad - her life. We can’t see yet what she sees but the look on her face is joyous.”

Today, I shared her art with my art therapy client, an artist who is no longer verbal or creating art due to Parkinson's Disease. How I wish she could have shared her thoughts with me regarding Elizabeth Layton's art and writing.

For more paintings by Elizabeth Layton, please visit her website.