Monet in New York

If you are not able to travel to Giverny, France to experience the world famous gardens of Claude Monet, you can visit New York. In the Bronx over the next several months, the New York Botanical Garden will offer a taste of Monet’s indisputably radiant living masterpiece — a riotous display of color, plant variety and landscape design.



The exhibition, which runs through Oct. 21, will feature a seasonally changing display of flora, currently a spring kaleidoscope of poppies, roses, foxgloves, irises and delphiniums inside the botanical garden’s Enid A. Haupt Conservancy. It also includes two scarcely seen garden-inspired paintings, Monet’s wooden palette, rare photos of Monet in his garden and 30 photographs of Giverny by Elizabeth Murray, who has recorded Monet’s flower oasis for 25 years. These are all located at the botanical garden’s LuEsther T. Mertz Library.

A facade of Monet’s pink stucco house with its bright green shutters — a historically accurate replica by Tony Award-winning set designer Scott Park — marks the start of the exhibition. From there, visitors are led down the Grand Allee, a shorter recreation of Monet’s rose-covered trellis pathway lined on both sides with thick beds of vibrant flowers. The path opens up to a replica of his famous Japanese footbridge arching over a water lily pool encircled by willow trees and flowering shrubs.

In the courtyard outside the Victorian greenhouse, two immense water basins contain a plethora of water lilies.

Claude Monet, artist and avid gardener, lead the Impressionist movement and revolutionized painting in the 1870s.

The story is that Claude Monet noticed the village of Giverny while looking out of a train window. He made up his mind to move there and rented a house and the area surrounding it. In 1890 he had enough money to buy the house and land outright and set out to create the magnificent gardens he wanted to paint.

Talk about the power of imagination!

Renoir and Friends

Today I read parts of a book on Renoir to my art therapy client.

I learned that Renoir's circle of friends included the famous Impressionistic painters Monet, Baxille and Sisley. All of them attended the Gleyre Academy and spent time painting together. Imagine that master-mind group!

Pierre-Auguste Renoir
Portrait of Claude Monet
1875
Oil
Musée d'Orsay, Paris, France

Later in his life, Renoir developed a friendship with Cezanne and the two of them painted similar subjects together.

Montagne Sainte-Victoire
Oil
1889
Paul Cezanne
Montagne Sainte-Victoire
Oil
1889
Pierre-Auguste Renoir had already attained some measure of success as a portrait painter before exhibiting in the first Impressionist exhibition in Paris, 1974. He was only 33 years old at the time. Although Renoir's paintings have been classified as Impressionistic, he was always searching for new means of expression and his style during the period of the 1870's varies so much that Renoir's Impressionism, unlike Monet's, has no clear indisputable identity. Renoir quit showing with the Impressionists for several years until the seventh Impressionist show of 1882.

I cherish my artist friends and enjoy passionate discussion of art. I can only imagine how the friendships among these masters might have evolved.

Edgar Degas

I learned a few new interesting facts about Edgar Degas while reading Trewin Copplestone's book, Edgar Degas, to my art therapy client.

Edgar Degas who lived from 1834-1917, became a professional painter through a change in his family's fortunes. He grew up the privileged son of wealthy and cultured parents and despite his interest in art was destined for a career in law until the failure of the family back. Not the typical starving artist!

Rene-Hilaire De Gas
1857
Oil
Edgar Degas was 23 years old when he painted this portrait of his grandfather.

Degas, being the oldest grandson, spent a great deal of time with his grandfather who was the source of his financial security.

More than any of his famous contemporaries, while possibly excluding Manet, Degas was a traditionalist painter. He was dismissive of the Impressionist technique as a method, although he participated in most of the group's early exhibitions. As a result, he is more closely allied in popular understanding with Impressionism than he himself ever wished to be.

Best know for his paintings of ballet dancers, Degas was an urbane and savagely witty man, choosing his subjects from the cultured society life of Paris in which he was a well known figure.

The Green Dancers
1877-9
Pastel and Gouache